Wisteria

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Yoshida Toshi

In the pale moonlight

Hasui Kawase

the wisteria's scent

 Chikanobu

comes from far away

 Hiroshige

Haiku by Buson

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Tom Kristensen ~ Ukiyo-e

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Seagulls



Tom Kristensen 1962-
is an Australian

Conjurong Beach



a landscape designer by profession,
who is also a Sosaku Hanga artist

Currawongs


an avid collector
of Japanese art prints
and inspired
by the prints of Paul Binnie
he decided to teach himself
wood block printing

Dunes and Fence



and learned most of what he knows
from the internet!

Grass and Banksia



Like other Sosaku Hanga artists
he carves and prints his own work

Moonlight



Kristensen's images
are based on digital photography
which he has computer manipulated

Pigface



Whist his images may begin
in the age of technology
he uses traditional Japanese tools,
mulberry washi and mineral pigments

Post and Rail



most of these prints
are from a series titled:
Thirty six views of Green Island

Rock Platform

Although Kristensen has had
no formal training in art
and held no exhibitions

Flotsam



his work is greatly admired
and sought after
by lovers of Ukiyo-e




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Koson Ohara

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Koson Ohara 1877-1945

A cuckoo



Although he was a ukiyo-e artist
Koson Ohara originally studied painting
and became proficient
in both watercolours and oils.

Flowering wisteria and insect

In the early 1900s
during the Russo-Japanese war
he produced war prints
as the interest in traditional ukiyo-e
had all but died out.

Flycatcher and spider



But within ten years
the camera had replaced
the print maker as the medium
for disseminating news

Hawk and setting sun



Koson is the best known print maker
for kacho-e-
prints of flowers and birds

Kingfisher on stump



Koson taught at the Tokyo School of Fine Arts
where an American colleague
by the name of Ernest Fenellosa
encouraged him to make wood block prints
in the old style.

Monkey on a persimmon tree



After 1926 Koson returned to ukiyo-e
and was published by Wanatabe Shozaburo
the initiator of the Shin Hanga movement,
the renaissance of the wood block print art
of Ukiyo-e

Nuthatcher atop a persimmon



Practically all of Koson's prints
were exported to the USA
as Japan had lost interest
in the ukiyo-e art form

Praying mantis on a willow



Koson's skill as a painter
is evidenced in the water colour effect
of his prints

Scops owl on a branch at full moon



His kacho-e were performed
with an extremely high
degree of craftsmanship

Spring evening



Koson Ohara is sometimes known
as Hoson Ohara
Shoson Ohara,
or the other way around
It is the same artist.

Tree sparrow and bamboo



A master wood block artist
of flowers and birdlife

White fronted goose before full moon

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Ando Hiroshige

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Ando Hiroshige 1797-1858 was one of the greatest Ukiyo-e artists.

He describes himself thus:

Putting aside the moon and snow,
how delightful it is to live roundly
with a head more round
than a dumpling round and round!

Hiroshige was a man of strong features and a ruddy complexion. He was fond of his sake and loved fine dishes and this was evident in his portly appearance.


I learned about Hiroshige's work when I walking the Nakasendo Way as he is famous for his collections of landscape scenes along the Tokaido and Kiso Kaido Highways.

The Sixty Nine Stations of the Kiso Kaido feature many of the post towns on the Nakasendo walk.

Born into a low ranking Edo samurai family Hiroshige lived on the border between the samurai elite and the working class. His father was a fireman at the Edo castle and Hiroshige inherited this role at thirteen years of age when his father died.

Legend has it that Hiroshige decided to become a ukiyo-e artist when he saw the work of near contemporay Hokusai who published a famous set of prints called Thirty Six Views of Mt Fuji in 1832.

Hiroshige was fortunate to have been tutored in the Chinese influenced Kano school of painting by another fireman.

At age fifteen he was accepted, as per the practice, to be apprenticed to Utagawa Toyohiro, a notable Edo artist.

Owl on a Pine Branch


Making a boat ride on the crescent moon
the wind in the pines would love
to enter the long-eared owl's ears
- like the song of a harp

a kyoka by poet Hajintei

Hiroshige's early print making period concentrated on bijin - beautiful women, actors and historical figures. After which he made landscape prints of birds and flowers. This was followed by a period of landscapes featuring fashionably dressed women in the foreground and several series with historical and classical themes. He also made prints with humourous content and for practical purposes such as fans, envelopes, advertising, board games and book illustrations.

Grey Mullet and Camellia

Thunder
the mullet that sees in a whirl
the lightning flash of a hook
is frightened to death

The kyoka on the right by Toshinomon Haruki

But what Hiroshige is possibly most remembered for are his numerous (over 4500) depictions of the landscapes and towns from his travels. He aimed for realistic representation throughout all seasons, and the works were immensely popular. It was a time when internal tourism was booming and guidebooks abounded.

Seba - from the series - The Sixty nine Stations of the Kisokaido

Men poling boats past a bank with willows

Hakone- Travellers on a Mountain Path at Night

As the saying goes, speaking of clouds,
it also happens to people -
just when one approaches a mountain path,
evening falls

Fukien Mitsuhara

Hiroshige dominated printmaking with his unique brand of intimate small scale works, known for vibrant colours and unusual vantage points.

Autumn Moon over Tama River



I have been looking so long
but didn't see it come out of the mountains
there it is, without any dust:
the moon over the Crystal River

Shokasai




A Bonito


Fresh bonito tastes best
when you let it melt in your mouth
under the snow of Kamakura

Toshihiro Machikado



Karuizawa - from the series - The Sixty nine Stations of the Kisokaido

He also greatly influenced French Impressionists particularly Van Gogh and Monet.
So valued are Hiroshige's prints that history draws on his works to paint a picture of the Tokugawa - Edo period from 1600-1868.

The Plum Tree at Kameido
from the series- One Hundred Famous Views of Edo

Just before his death Hiroshige wrote:

I leave my brush in the East
And set forth on my journey
I shall see the famous places
in the Western Land

The Western Land refers to the strip of land from Kyoto and Edo - the Tokaido but also serves as a double reference to the Paradise of Buddhist texts.

The Moon Seen through the Leaves


It is not so sad that maple leaves fall,
scattered on the moss-covered ground -
it is only sad when the wind gets chilly and rough,
and rain clouds darken the sky

Hakurakuten

Information sourced from Wikipedia,
and the book Hiroshige by Matthi Forrer,


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