Koson Ohara 1877-1945
A cuckooAlthough he was a ukiyo-e artist
Koson Ohara originally studied painting
and became proficient
in both watercolours and oils.
In the early 1900s
during the Russo-Japanese war
he produced war prints
as the interest in traditional ukiyo-e
had all but died out.
Flycatcher and spiderBut within ten years
the camera had replaced
the print maker as the medium
for disseminating news
Kingfisher on stumpKoson taught at the Tokyo School of Fine Arts
where an American colleague
by the name of Ernest Fenellosa
encouraged him to make wood block prints
in the old style.
Monkey on a persimmon treeAfter 1926 Koson returned to ukiyo-e
and was published by Wanatabe Shozaburo
the initiator of the Shin Hanga movement,
the renaissance of the wood block print art
of Ukiyo-e
Nuthatcher atop a persimmonPractically all of Koson's prints
were exported to the USA
as Japan had lost interest
in the ukiyo-e art form
Praying mantis on a willowKoson's skill as a painter
is evidenced in the water colour effect
of his prints
Scops owl on a branch at full moonHis kacho-e were performed
with an extremely high
degree of craftsmanship
Spring eveningKoson Ohara is sometimes known
as Hoson Ohara
Shoson Ohara,
or the other way around
It is the same artist.
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