Hiroshige
Why are you afraid of silence
silence is the root of everything
If you spiral into its void
a hundred voices will thunder messages
you long to hear
Rumi
Showing posts with label Hiroshige. Show all posts
Showing posts with label Hiroshige. Show all posts
Thursday, November 10, 2011
Friday, April 24, 2009
Ando Hiroshige
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Ando Hiroshige 1797-1858 was one of the greatest Ukiyo-e artists.
Putting aside the moon and snow,
how delightful it is to live roundly
with a head more round
than a dumpling round and round!
The Sixty Nine Stations of the Kiso Kaido feature many of the post towns on the Nakasendo walk.
Born into a low ranking Edo samurai family Hiroshige lived on the border between the samurai elite and the working class. His father was a fireman at the Edo castle and Hiroshige inherited this role at thirteen years of age when his father died.
Legend has it that Hiroshige decided to become a ukiyo-e artist when he saw the work of near contemporay Hokusai who published a famous set of prints called Thirty Six Views of Mt Fuji in 1832.
Hiroshige was fortunate to have been tutored in the Chinese influenced Kano school of painting by another fireman.
At age fifteen he was accepted, as per the practice, to be apprenticed to Utagawa Toyohiro, a notable Edo artist.
Owl on a Pine Branch
Making a boat ride on the crescent moon
the wind in the pines would love
to enter the long-eared owl's ears
- like the song of a harp
a kyoka by poet Hajintei
Hiroshige's early print making period concentrated on bijin - beautiful women, actors and historical figures. After which he made landscape prints of birds and flowers. This was followed by a period of landscapes featuring fashionably dressed women in the foreground and several series with historical and classical themes. He also made prints with humourous content and for practical purposes such as fans, envelopes, advertising, board games and book illustrations.
Grey Mullet and Camellia
But what Hiroshige is possibly most remembered for are his numerous (over 4500) depictions of the landscapes and towns from his travels. He aimed for realistic representation throughout all seasons, and the works were immensely popular. It was a time when internal tourism was booming and guidebooks abounded.
Seba - from the series - The Sixty nine Stations of the Kisokaido
Hakone- Travellers on a Mountain Path at Night
Hiroshige dominated printmaking with his unique brand of intimate small scale works, known for vibrant colours and unusual vantage points.
Autumn Moon over Tama River
I have been looking so long
but didn't see it come out of the mountains
there it is, without any dust:
the moon over the Crystal River
Shokasai
A Bonito
Fresh bonito tastes best
when you let it melt in your mouth
under the snow of Kamakura
Toshihiro Machikado
Karuizawa - from the series - The Sixty nine Stations of the Kisokaido
He also greatly influenced French Impressionists particularly Van Gogh and Monet.
So valued are Hiroshige's prints that history draws on his works to paint a picture of the Tokugawa - Edo period from 1600-1868.
The Plum Tree at Kameido
from the series- One Hundred Famous Views of Edo
Just before his death Hiroshige wrote:
The Western Land refers to the strip of land from Kyoto and Edo - the Tokaido but also serves as a double reference to the Paradise of Buddhist texts.
The Moon Seen through the Leaves
It is not so sad that maple leaves fall,
scattered on the moss-covered ground -
it is only sad when the wind gets chilly and rough,
and rain clouds darken the sky
Information sourced from Wikipedia,
and the book Hiroshige by Matthi Forrer,
*
Ando Hiroshige 1797-1858 was one of the greatest Ukiyo-e artists.
He describes himself thus:
Putting aside the moon and snow,
how delightful it is to live roundly
with a head more round
than a dumpling round and round!
Hiroshige was a man of strong features and a ruddy complexion. He was fond of his sake and loved fine dishes and this was evident in his portly appearance.
I learned about Hiroshige's work when I walking the Nakasendo Way as he is famous for his collections of landscape scenes along the Tokaido and Kiso Kaido Highways.
I learned about Hiroshige's work when I walking the Nakasendo Way as he is famous for his collections of landscape scenes along the Tokaido and Kiso Kaido Highways.
Born into a low ranking Edo samurai family Hiroshige lived on the border between the samurai elite and the working class. His father was a fireman at the Edo castle and Hiroshige inherited this role at thirteen years of age when his father died.
Legend has it that Hiroshige decided to become a ukiyo-e artist when he saw the work of near contemporay Hokusai who published a famous set of prints called Thirty Six Views of Mt Fuji in 1832.
Hiroshige was fortunate to have been tutored in the Chinese influenced Kano school of painting by another fireman.
At age fifteen he was accepted, as per the practice, to be apprenticed to Utagawa Toyohiro, a notable Edo artist.
Owl on a Pine BranchMaking a boat ride on the crescent moon
the wind in the pines would love
to enter the long-eared owl's ears
- like the song of a harp
a kyoka by poet Hajintei
Hiroshige's early print making period concentrated on bijin - beautiful women, actors and historical figures. After which he made landscape prints of birds and flowers. This was followed by a period of landscapes featuring fashionably dressed women in the foreground and several series with historical and classical themes. He also made prints with humourous content and for practical purposes such as fans, envelopes, advertising, board games and book illustrations.
Grey Mullet and CamelliaThunder
the mullet that sees in a whirl
the lightning flash of a hook
is frightened to death
The kyoka on the right by Toshinomon Haruki
the mullet that sees in a whirl
the lightning flash of a hook
is frightened to death
The kyoka on the right by Toshinomon Haruki
But what Hiroshige is possibly most remembered for are his numerous (over 4500) depictions of the landscapes and towns from his travels. He aimed for realistic representation throughout all seasons, and the works were immensely popular. It was a time when internal tourism was booming and guidebooks abounded.
Seba - from the series - The Sixty nine Stations of the KisokaidoMen poling boats past a bank with willows
Hakone- Travellers on a Mountain Path at NightAs the saying goes, speaking of clouds,
it also happens to people -
just when one approaches a mountain path,
evening falls
Fukien Mitsuhara
it also happens to people -
just when one approaches a mountain path,
evening falls
Fukien Mitsuhara
Hiroshige dominated printmaking with his unique brand of intimate small scale works, known for vibrant colours and unusual vantage points.
Autumn Moon over Tama RiverI have been looking so long
but didn't see it come out of the mountains
there it is, without any dust:
the moon over the Crystal River
Shokasai
A BonitoFresh bonito tastes best
when you let it melt in your mouth
under the snow of Kamakura
Toshihiro Machikado
Karuizawa - from the series - The Sixty nine Stations of the KisokaidoSo valued are Hiroshige's prints that history draws on his works to paint a picture of the Tokugawa - Edo period from 1600-1868.
The Plum Tree at Kameidofrom the series- One Hundred Famous Views of Edo
I leave my brush in the East
And set forth on my journey
I shall see the famous places
in the Western Land
And set forth on my journey
I shall see the famous places
in the Western Land
The Western Land refers to the strip of land from Kyoto and Edo - the Tokaido but also serves as a double reference to the Paradise of Buddhist texts.
The Moon Seen through the LeavesIt is not so sad that maple leaves fall,
scattered on the moss-covered ground -
it is only sad when the wind gets chilly and rough,
and rain clouds darken the sky
Hakurakuten
Information sourced from Wikipedia,
and the book Hiroshige by Matthi Forrer,
*
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